Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Seven Seas, Mini Game Loops, William Tell Overture, Carol of the Bells, This is Halloween, Another Grand Score, Circus Theme (Entry of the Gladiators), Psychotic, and 30 more. , and , . Purchasable with gift card Buy Digital Discography $50.95 USD or more (90% OFF) Send as Gift Share / Embed 1. Trailer 01:52 info buy track 2. The Lagoon 02:34 info buy track 3. Putin's Lullaby 02:06 info buy track 4. Explorer 03:32 info buy track 5. Before the Storm 03:11 info buy track 6. Escape 02:05 info buy track 7. For The Last Time 04:00 info buy track 8. Finale, pt. 1 01:10 info buy track 9. Finale, pt. 2 02:49 info buy track credits released January 1, 2015 license some rights reserved tags Tags celtic metal soundtrack classical epic filmscore movie music orchestral reggae rock score Norway Shopping cart total USD Check out about Alexander Nakarada Norway
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The running narration by Ptolemy (Anthony Hopkins) is a road map through three decades of history, but there are so many names, places and dates that finally we want to ask, please, sir, will this be on the final? Perhaps the narration is supposed to bridge gaps in the disjointed narrative. Even so, at one late point, the movie comes to a jarring halt with the title "Macedonia -- Eight Years Earlier," and we get a flashback to scenes involving Philip that don't feel like a flashback at all, but more like material plucked from its place in the chronology and inserted later to clarify what the filmmakers fear we will not otherwise understand.
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If certain sites are to be believes, there isn't much difference between the Theatrical version and the DC. Somehow, it is all the same, mainly because Stone did not put in any new scenes, save for an extension of an already existing scene and a short insertion from Aristotle. However, he did change the movies structure; for example, the battle of Gaugamela is now seen earlier. Also, the movie is a bit more fast-paced since some scenes have been trimmed down and many dialogue details have been changed, something one most likely only notices if one knows both versions. A good example is Alexander being taught by Aristotle, as shown in the report.
When the 45 minutes longer final Cut was announced fans across the internet were wondering which events from Alexanders life had been added to the film, and those who did not enjoy the Theatrical Version hoped the extensions would make the movie better. But those who have seen the Final Cut were in for a surprise. None of the numerous extensions provide new settings or stages in Alexanders life. The only true big extensions concerns Alexanders servant Bagaos. The homoerotic undertones were already in the Theatrical Version too much for many viewers. In the final Cut, we now get to know the servants name, he is noticed among many beautiful women by Alexander (much to Hephaistions regret), seemingly dances only for Alexander in India and even shares a bed with him.
The most obvious change is again the structure of the movie. The battle of Gaugamela has been moved towards the beginning again (as planned in an early version of the script) and is seen even before Alexanders childhood and adolescence. The events in Bactria have been reassembled as well. First we see the wedding with Roxane, then the movie jumps back to the discussion with the generals and the celebration before that where Alexander meets and falls in love with Roxane before the movie jumps back to the wedding night. All other changes from the DC are present in the FC as well.
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But the worst part is\u2026well, basically every scientific institution ends up lying. Asian Scientist, the head of NASA, officially announces there\u2019s nothing to worry about. Tech CEO parades a bunch of Nobel Prize winners who endorse his idiotic plan and say it\u2019ll go great. Male Scientist, during his work-within-the-system phase, makes commercials reassuring people that the comet won\u2019t hurt them. The media is complicit in all of this, systematically preventing the populace from hearing the truth. The only scientist telling it like it is, Female Scientist, has (by the end of the movie) been kicked out of grad school and ended up bagging groceries.
Each of these positions accretes its own narrative - a stock collection of examples, stereotypes, and associated emotions that tells you whether it\u2019s good or bad. When your side is against Twitter harassment, you hear lots of stories of sympathetic people being harassed by evil people and driven to suicide. You see interviews with their crying loved ones. Maybe someone even makes a movie about cyberbullying that viscerally drives in just how hurtful it can be. But when your side is doing the harassing, you hear historical examples of how tone policing and weaponized civility demands produced chilling effects on noble people who wanted to make positive changes. Now the movies include ugly obese Boomers who say sneeringly \u201Chey, watch your tone\u201D when anyone calls them out on their misdeeds, then smirkingly go on to misdeed again, protected from all criticism. You end up with one moral narrative around how Twitter harassment is extraordinarily, villainously bad, and another narrative around how it\u2019s wonderfully, heroically good. 2ff7e9595c
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