Merhige was informed by the theories and ideas of Antonin Artaud and Friedrich Nietzsche, which in his opinion had not been developed on film to the fullest extent.[27] His key cinematic influences included Munk, Eisenstein, and Buñuel.[4] In a 1993 interview with art historian Scott MacDonald, Merhige also listed Georges Franju's documentary short Blood of the Beasts as an inspiration for the visual style of the film, as well as Akira Kurosawa's Seven Samurai, Stan Brakhage's The Act of Seeing with One's Own Eyes, and the German expressionist film The Cabinet of Dr. Caligari.[28] Merhige also stated that "fine arts had far more of an influence on this project than film. The horrific beauty you find in Hieronymus Bosch or Munch or Goya got to me more than anything."[29]
The implication of the participants. This factor was crucial. It was the necessary spark which lit the fuse. People were upset with the report and wanted to express their opinion. But they considered their reaction carefully. They did not want to organize a reactive answer; they preferred a pro-active reaction, charged with positive energy. Today our society is overcome with negative energy, therefore the receivers are grateful for messages with other connotations. Thanks to this lipdub, now we know that in this US state, apart from the lakes of Detroit and Michigan, there is a city called Grand Rapids, a creative and active town capable of reaction against a misinformed report. Without a doubt, this initiative helped to put this city on the map.
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